Calling all Theater companies and performers!

Open Call to Theater companies, performers, researchers:
I would like to hear other voices besides my own on this blog. If you'd like to write about your TLP experiences here, e-mail them to me and I'll put them up.
Topics can include dramaturgy to staging to personal responses to the play. Anything goes!

Friday, November 19, 2010

Laramie in Pictures: The fences of Laramie

Ever since the Shepard murder, most people can only imagine a single fence in Laramie, Wyoming: the buck fence, specifically the one used in the beating. Strangely, that fence has become an indelible part of the landscape, and yet it no longer exists. In reality, fences do often define prairie landscapes like Laramie, but not just one kind. There are a complex of different fences which all come together to give our limitless, rolling landscape a false sense of borders and edges. Some of those borders are exclusive. Some are meant to protect, shelter, or include. And all of them have strong cultural valences to them just like the buck fence.

So, I didn't get a really broad survey of fences over my short stay, but here's a few shots of the variety which fences bring to our landscape. Yes, buck fences are included. But they are only one kind of sign in a whole system of signs which impress upon our imaginations. I hope you enjoy!

Snow fence, Curt Gowdy

I will forever have a soft spot for snow fences. Here's a couple more in the off-season:

Snow fences, north of Laramie

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The next few are from around the enormous rail-yard running through Laramie's downtown district:

railroad yard

From the Catwalk, Laramie

Oh, buck fences.  How you continue to beguile and yet horrify me...

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An old style buck-and-rail fence, Laramie

And of course, the ubiquitous barbwire fence, the most common sight outside of the town spaces:

Prairie scenes

Prairie Storms, Laramie

Monday, November 15, 2010

The Eds, Take 2

So, in 10 Years Later we had an interesting insight into the tense weeks surrounding the tenth anniversary of the Shepard murder.  On the one hand, the Boomerang staff did a wonderful five-part series on where Laramie as a community stands a decade after they found their values severely challenged in the national spotlight.  They dedicated that bench on the A&S plaza in Matt's memory.  We see the LGBT community in Laramie developing a new presence on the campus and keeping dialogue alive.  Those were all great things (and you can read about most of them if you search the Boomerang's online archive.  Links are on the "Bibiliography" page to the right.)  

On the other hand, we also got an unsettling glimpse of a community in deep denial.  We saw both intentional and unintentional forgetting of Matt's name and a fear for some kind of permanent change.  We saw people who still deeply resented the stigma that the national spotlight cast on the town.  And then there was this

The second editorial in the Boomerang ran on the tenth anniversary of Shepard's death, and it is the editorial that is specifically mentioned in The Laramie Project.  It's also the editorial to which Jonas Slonaker tries to respond, but they wouldn't run his letter.  For some reason, you can't find the copy for either of the 10th anniversary editorials on the Boomerang website archive even though other editorials are available there, but an hour or so on the microfilm machine right before the library closed yielded my very own copy.   Man, I love public research institutions. 

There are a few interesting things to note on this second editorial piece, which is entitled "Laramie is a Community, Not a Project."  First of all, there's no byline on this, so it seems that the Boomerang was putting this out as its official position rather than just the editor's personal view.  The email listed for responses is for the actual publisher, too, rather than just the editor. 

Secondly, the amount of snark right at the end where they're pushing the robbery motive is just... well, baffling.  But I guess even journalists have a right to have an opinion, and at least it's on the Opinion page.  My experience is that small town newspapers are a lot more strident when pushing personal opinion than most, so perhaps I shouldn't be as surprised as I am to see how blunt it is.  

But, with that said, this opinion piece is not entirely bad.  The first several paragraphs are actually a fairly good summary of the community reactions, and it's useful for that.  And the editorial is very right about one thing: Laramie is more tolerant than most other communities in the area.  That should be kept in mind.   However, I definitely would challenge the publisher about his dismissal of this as the problem of "a few questionable characters."  It's not.  Those people don't define Laramie exclusively, but they are still a part of who Laramie is, and you can't just reject McKinney and Henderson because they make us feel guilty.  Whether we like it or not, Laramie does share some societal guilt for what happened to Matthew Shepard because we are part of the society which shaped them;  ignoring that solves absolutely nothing-- and unless we learn to embrace the McKinneys and Hendersons in our communities as a part of who we are and try to transform their hate with love, it's only a matter of time before this happens again. 

In any case, the Boomerang's had their say on the matter.  And I'll be happy to let the rest of y'all know about it.

Friday, November 12, 2010

Laramie in Pictures: Curt Gowdy State Park

East of the Laramie city limits is a vast state park named after Curt Gowdy, a former Wyoming native, UW graduate and sportscaster for the Boston Red Sox. The park is especially notable for its varied landscape ranging from prairie to pink boulder hills to mountain forest. It also sports some of the most awesome twisted trees in the state.  It's extremely popular with the locals for camping, four-wheeling, and hiking.  On many days, you can see cattle roaming through the back stretches of the park.  

Even though this is a space heavily used by humans, in a sense, this is the landscape that probably defines Laramie as a natural space.  On my very last day in Laramie I took some pictures of the park's strange, ethereal beauty from the top of a ridge to give you a sample.  I hope you enjoy it! 

4th of July Clouds, Laramie


Stark Tree Still4th of July Clouds, Laramie


4th of July Sunset, Laramie



Monday, November 8, 2010

The Eds, Take 1

While I was in Laramie, I didn't get a lot of academic-y stuff done.  Most of the people I had hoped to chat with were gone for the July 4th weekend, and after some bad planning and some car troubles, I only had a few short hours to make use of the university library before they closed up for the 4th of July weekend.  

But my time in Laramie wasn't a loss by any stretch.  I spent a lot of time with my brother Coyote, who let me see this community for a weekend through his eyes, and for which I thank him.  I spent a lot of time lost in the wilderness trying to learn how to be alone with myself again.  And I got three whole hours in Coe Library, where I spent my time digging in the basement and looking at the microfilm.

And what I found was really interesting.  I only had a short time to look at the Boomerang's coverage of the original beating and the ten-year anniversary, but it was extremely revealing, and I'll be talking about that in more detail later.  But the best gems I came back with were some editorials from the current Boomerang staff.  After 10 Years Later, we all learned about one snarky editorial on their Opinion page; as it turns out, there were two.

The first editorial (which I highly encourage you read) doesn't get a mention in the play from what I remember, and it's pretty interesting.  It was entitled "Ten Years Later, It's Time To Move On,"  and it's a bit of an over-the-top emotional argument about why the community needs to let the specter of Matthew Shepard go.  For one, I noticed that this one is actually attributed to the editor personally.    She's also asking a legitimate question: why do some stories of murder remain and get memorialized and others don't?  That's a great question, actually.  What I don't like is using that question to dismiss any attention paid to Shepard.

In the editorial, the editor gives a litany of other murders and tragic deaths which happened in Laramie (of which Cindy Dixon, Russell Henderson's mother, is one) and complains that none of them are given the same recognition.  She's not quite right about her examples of forgotten tragedies, however.  There was a memorial marker erected at Tie Siding where the members of the cross-country team died (and note the evasive wording in that statement).  This white cross stands near the location where the accident occurred.   Nothing, however, stands on the ground where Shepard was brutally murdered, not even the fence on which he was tied.  One location has a white cross marker to help establish the memory of a tragedy while the other has been wiped clean of all bad memories.  I'm not saying that this is a problem per se-- that landowner has the right to have peace on his or her own property-- but it does complicate her point, which the editor tries to paint a little too much in black and white when this is an issue that by definition requires shades of gray.

I also find it interesting that, in her litany of tragedies in her editorial, she chose to skip over Kristen Lamb.  That was the tragedy that had so many people in Laramie steaming (her murderer's trial roughly coincided with the Shepard beating) and is often cited as justification for those who resent the media attention over Shepard's death.  Perhaps some things run too deep, and too painful, even to be used as ammo by an angry journalist in a newspaper editorial.   Maybe there are other tragedies she would like to see remain at rest, and unmentioned. 

Anyhow, I guess that would be my main complaint here.  Sure, Deb, you're asking a legitimate question, and it's one that I (and many others) are interested in, too.  But you're not asking it in order to get an answer.  You're simply using it as an excuse to complain about an event that has left Laramie feeling bruised.  If you'd stop and explore that question-- why some stories are remembered and others are not-- you might learn something really fascinating about the nature of collective memory and human nature.  That's a lot more productive than trying to wish away a memory of an event that stings to remember and isn't going to go away.

Whether we like it or not, Matt will be a part of this community's memory.  The only real question, in my mind, is whether or not we incorporate that memory in a positive way or not, and an attitude like yours makes that difficult.   And it makes it impossible for everyone to "move on" from this tragedy like you want.  No one can "move on" from a story like this until it is confronted and you reconcile yourself to its existence.  That's the only kind of positive healing this community can ever have, and if you don't do that, you will continue to be haunted by this memory which will never leave.  The more you try to "move on," the longer he's going to be with you. 
 


PHOTO CREDIT:

1)  The roadside memorial at Tie Siding, Wyoming, taken from gregor_y's Flickr photostream:

Friday, November 5, 2010

Laramie in Pictures: Medicine Bow Natural Forest

Back on July third of this year when I was in Laramie,  I found my bother Coyote lounging outside of his little apartment, watching the traffic go by.  As usual, he looked a little underfed (he prefers to live off of coffee and cigarettes) but nonetheless happy, surrounded by loyal and oddball friends.  I'm rather used to his strange, bifurcated life.  On the one hand, he sincerely believes he's living life on his own terms; on the other hand, this is not the life he would prefer to live into his forties.  When I asked if he had any plans, the first thing he said was he wanted to go ride the Centennial highway into the Medicine Bow National Forest. 

While his request surprised me at first (I was expecting a restaurant request), it makes perfect sense for Coyote.  In some ways, he's more tied to the land than I am, and his only transportation right now is a borrowed bicycle.  He can't ever really get out, get alone and spend some time with nature.  And while I dearly love the plains as well, what Coyote really craves are the high places, where the tree lines thin out and the stark rocks of an ancient geology tower over his head.  What he craves is the smell of the wind combed by pine trees.  So, we hopped in my borrowed car and cruised up past Centennial into the frigid mountain air and threw snowballs at each other the day before Independence Day. 

So, here are some pictures from out west of Centennial in the Medicine Bow national forest. I hope you enjoy them (but especially Lake Marie.)

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When you get this high, cold and windy, the trees start doing some funny things to adapt.  You know, like only growing in the direction of the wind.


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These are dog-tooth violets, found just off of the summit.  I took this picture of them, and the snowdrift behind them, on July 3rd.  Then Coyote and I threw snowballs at each other. 

A Marmot at Lake Marie

Here we have an extremely bold yellow-bellied marmot hanging out on the white granite boulders around Lake Marie.  He was so close to me that I took this without a telephoto. 

Lake Marie, Medicine Bow National Forest
...and here is tiny Lake Marie, which is so beautiful it leaves me speechless. I hope you have a great day.

Wednesday, November 3, 2010

Jackrabbit's angsty blog turns 1 year old today!

Happy Birthday, Jackrabbit Blog!  

Exactly one year ago to this day, an angsty, melancholic grad student and former UW undergrad started this blog to get her head on straight.  Happy birthday!  I feel like I need emo party hats and streamers for the occasion.  

And now, one year later, I'm still an angsty, melancholic grad student.  I don't know if my head's on any straighter, but I certainly feel like I've learned a lot by blogging in this weird way about myself and The Laramie Project at the same time.  If anything it's taught me a lot about how people try to understand themselves through literature.  It's also taught me how to loosen up a bit and see where the flex and flow is within a person's self, that there is never really a "stable" sense of identity.  We bend and flex with conflict, seeking a resolution; this is how the Lord would mold us.  The self, I think, isn't so much a collection of essential memories as a series of tense negotiations. 


So-- what have been my highlights so far?  There are a few:
  1. The Laramie Project doesn't give me nightmares anymore.  
  2. There is a lot of interesting dialogue going on back and forth with TLP, and is freaking fascinating.  
  3. There still is a lot of story left to be told about Laramie itself, and the way it views sexuality, identity, community, and TLP itself is a lot more complicated than we let on.  
  4. I got to post lots of pictures making fun of Fred Phelps.  (Yeah, that was fun.)
  5. I'm getting active both in my faith community and the LGBT community to try and heal some of the rift that exists between them. 
Before that moment one year ago when my head was too full of questions to function, I had never blogged before in my entire life.  Now, after a year of constant writing, and thinking, and introspection, I've started to realize the power of writing-- not just for the reader, but for the writer as well.   Will this enterprise keep going?  Probably for a while longer, I think.  Let's see where the rabbit-hole takes us this year! 






PHOTO CREDIT:  

Here It Is, originally uploaded by Caveman 92223.

Tuesday, November 2, 2010

Watch "TLP: 10 Years Later" online!

You can actually watch clips from the New York performance of The Laramie Project: 10 Years Later, an Epilogue online!

Tectonic Theater has launched a new website for The Laramie Project with a variety of great things included-- there's going to be community access, it looks like, as well as blogs and photos.  But the thing that's particularly exciting for me is that you can see eight minutes of the Lincoln Center performance online.  That means I have something I can actually cite from!  I can talk about 10 Years Later in a meaningful fashion-- sort of. 

If you wanted to see the sequel but couldn't, now you can have a taste of it online.  The performance recorded here includes some post-performance discussion as well.  I don't know if the plan is to keep this up, so visit while you can...