Six Things My LGBTA Taught Me about the Gospel, part 1

SURGEON GENERAL'S WARNING 

FOR THE STAUNCHLY SECULAR: 

This post gets kind of preach-y at other Christians.   

Proceed with the Jesus talk at your own discretion.

So: this year marks the start of my third year with the LGBTA as the random, straight evangelical who hangs out with them at meetings.  Usually, when I talk to other Christians about why I'm there, they think that I'm walking among my gay brothers and sisters from some moral high ground and I'm giving them moral instruction.  Nothing could be farther from the truth.  The fact is that they have taught me more about how to be a Christian than I think I ever did in my six years in the SBC.

It's not that I didn't learn a lot about God in the SBC; they supported me through my first years as a believer, and though their higher organization grieves me a lot, they still deserve some credit (or blame?) for making me who I am.  It's just that I learned more about this whole Gospel thing by walking with my gay friends than I ever did by running with the holy rollers.
 I have learned some great lessons from the wonderful people of my Appalachian chapter of the LGBTA, the outreach center on campus, and especially one specific professor, who is one of the coolest people on my campus and a good friend.  And so, let me share a few of those lessons with you.  So, if you're not of a particularly religious bent, feel free to skip this post, and I'll see you in a week or two.  Here we go!

1.  Jesus came to save the world from the religious.  So should we.  

October's Aphorism of the Month, courtesy of Nothing Profound

So, it's October once again, and with it has come the first cold weather here in Appalachia, the changing of the leaves, and the end of our midterm cycle. 

For me, though, it's also a bittersweet month.  It makes me think of Laramie thirteen years ago.  It makes me homesick, and it makes me think of Matt.  With all this in mind, I picked this aphorism to guide the blog for this month, as always, courtesy of Aphorism of the Day: 

Leaves, while they live, hang together;
dying, they fall one by one.

Thanks again, Marty, for giving us something to ponder.  

I'm back!

Finally! 
With the conclusion of my final graduate exam just a short while ago, I am officially less busy than I've been recently. 

I also passed my oral exam!  I am officially ABD (all but dissertation,) and I have been declared competent enough in my field to write 200 pages of nonsense.  Something about Anglo-Saxon geographic and spiritual identity, or something. 

The bad news is that I now have to write a dissertation proposal in the next three weeks, so I'm not out of the woods yet.  But I do have time to reconnect with you all in TLP-cyberspace and start blogging again. 

So:  in order to start my return off with a "bang," I want to highlight an important new source for research on The Laramie Project for play productions and researchers, but this time it's not a what-- rather, she's a whom.  I'd like to introduce you all to Susan Burke, who started this past summer at the Shepard Foundation as their new Laramie Project Specialist.  Here's a little blurb from her profile on the Foundation's website:

Susan attended the Graduate Acting Program at the Goodman School of Drama in Chicago (now The Theatre School at DePaul), and has strong backgrounds in theatre, journalism and Matthew’s story. At the time of Matthew Shepard’s murder, his funeral, and the trials of his killers, she was the Executive Producer/Senior Anchor for the evening news at KTWO Television. Based in Casper, KTWO-TV was the statewide NBC affiliate, and it was Ms. Burk’s primary responsibility to arrange and implement coverage for all of these events, including community reaction and response. She produced a series on the making of The Laramie Project film that won the top news awards from both the Wyoming Associated Press and the Wyoming Association of Broadcasters that year. She is based in Casper, Wyo.

Wow: Susan is a woman of many talents who was also personally involved in Matthew Shepard's story.  Her job is to make intersect with the Laramie Project theatrical community and make your life easier.   And, plus, she's a wonder person to talk with.  She and I have communicated with each other a little bit by email and I have found her to be an engaging and upbeat person with a lot of great knowledge.  I would completely endorse her as a "must see" source for TLP for a wide range of questions. 

If you're interested, take a look here at the Shepard Foundation's website, and contact the organization for more information on the help which Susan Burke can provide. 

It's good to be back.  And it's even better to be back with a new supporter/research buddy to share the same adventure with! 

~~Jackrabbit

Upcoming "Projects": Camarillo, CA, 2012

The first director to take me up on posting comes from Camarillo, CA, where a new production of TLP is in its earliest stages.  Jolyn Johnson's production isn't until April 2012, but it sounds like a little help from the larger community would be useful:

I'm currently studying all I can about TLP and Laramie itself. I'm directing the show at Camarillo Skyway Playhouse and auditions are in January, but I wanted to get the word out early. Recently, I attended our county's PRIDE Festival to spread the news to the LGBT community. I called and spoke with a member of Tectonic Theater as well as contacting the Matthew Shepard Foundation for resources.

I still feel like I'm not quite there yet, that I haven't found the truth of Laramie. I want to know all about these people and this town, about the hard times and the hope. If anyone has information they could pass to me since I sadly lost my dramaturg, it would be greatly appreciated! Photos, stories of the *people*, anything to show my rather conservative community what really happened in Laramie. Our show goes up April 13-May 13, 2012. I'm excited and honored to be the director of TLP; I only hope that I can do it justice.

 Good luck moving forward, Jolyn, and I hope to hear about your progress as the play moves into full production. 

Calling all Theater companies!

Oh, for the time to blog again! 

I ask you to forgive the long, long pause in the progress of "Down the Rabbit-Hole" recently.  Like most PhD students, at set times in my life cycle I tend to hibernate in dark, gloomy caves (read: libraries) and only come out for fresh air and coffee.  Now is one of those times. 

With only one comprehensive exam standing between me and the much-coveted "All But Dissertation" status, I have been hunched over the books for the last two months trying to cram as much random crud about medieval geography in my head as possible.  The process is much like trying to cram clowns into a Shriner's car, and just as messy. The exam is in about two weeks.  I ask for prayers for stamina now that I've been forced onto a caffeine-free diet. 

In the meantime, it pains me to see this blog lying fallow when I know that there are dozens of TLP productions getting started right this semester.  Right now dramaturges, directors, designers and actors are asking hard questions about how to stage this play, and why.  There are actors starting to feel the serious emotional demands of their roles.  Wouldn't you like a place to talk about it and to see how others are dealing with the same issues?

Since I don't have time to write until my Prospectus is done, I'd love to hear from others about their current and former TLP experiences from any part of the production process!  If nothing else, tell me about your production and I'll put up a post to advertise it.  If you want to bare your dramaturgical soul about how much you love Brecht's "Street Scene," I want to hear it. 

All interested parties can contact me at jackrabbit.blog@gmail.com  and I'll be delighted to post them.  Take care, y'all!  Drink some coffee for me.   

September's Aphorism of the Month, courtesy of Nothing Profound

Although it comes a little late in the month (yet again), here is this month's aphorism to guide our musings, courtesy of Out of Context:

Thought should be less profound and more human.

Thanks once again for a great spot to start our musings for this month, Marty!

June's Aphorism of the Month

Although it comes a little late in the month this time, here is this month's aphorism to guide our musings, courtesy of Aphorism of the Day:

Ideas stand in the corner and laugh while we fight over them.

Thanks once again for a great spot to start our musings for this month, Marty!